ars-imago #9 Film Developer b/w 250ml Rodinal Formulae
ars-imago #9 Film Developer b/w 250ml Rodinal Formulae
2ARS-IMAGO #9 Film Developer is a highly concentrated, high-energy, disposable black-and-white film developer. Prepared with the original Agfa Rodinal formula, tried and tested for more than one hundred years, it is one of the oldest and most versatile detectors ever produced, used and known worldwide with one of the most comprehensive collections of development times.
The concentrated solution can be diluted to fit every type of negative, allowing a large quantity of negatives with great sharpness, good contrast control and good grain quality.
The concentrated chemical has a practically unlimited duration if not opened, and a super long one even if opened.
PREPARATION: The concentrated solution has to be diluted with water right before its use. Please use graduated beakers, It's a One Shot solution, meaning that the diluted solution must not be reused. Dispose of it after the use. Prepare the needed solution with running water.
Suggested dilution:
- 1+25: 1 part concentrated liquid + 25 parts of water
- 1+50: 1 part concentrated liquid + 50 parts of water.
TEMPERATURE: The temperature of water must be at 20°C before being added to the developer.
AGITATION: For manual tank development, agitate this way: continuous for the first minute, then agitate 5 seconds every 30 seconds.
TIMES: Check the suggested dev. times indicated in the datasheet. Avoid dev processes that are less than 4 minutes long.
CAPACITY: Approx. 20-40 35mm or 120 films with 200ml of concentrated #9 (depending on which dilution you use)
STORAGE: #9 in its concentrated foorm doesn't have a documented expiracy date as of today. The working solution, as said, must be disposed of after having used it.
Ars-Imago chemicals
Also four good hints to develop your film rolls.
The new line of ars-imago produced and distributed products, dedicated to all the photographers, from the beginner to the professional, comes from a specific need: spread the use of film and the traditional analog techniques, looking towards the future.
Why?
- The answer is simple: because all the users request this, to innovate and maintain a high attention on photography, to guide the user in the wide world of analog products and to offer quality and alternatives
How?
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Through research and individuation of simple and professional basic products to develop and print.
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All of the ars-imago chemicals have been tested thoroughly and the result is clearly presented to the final user. The product have specific features that can be followed through standard proceedings or by user's experimentation, through dialogue and verification with the ars-imago staff.
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The technical datasheets, available in the digital format, will be extendable documents through the users' experience and through tests ars-imago is and will coordinate, with the goal to constantly increase the quantity of available informations.
Why choose ars-imago chemicals?
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To purchase professional photography products for analog photography at a fair price without losing the quality of the big brands.
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To help us in our project and product research: the ars-imago chemicals line won't be just about basic chemicals but will explore the many possibilities offered by analog photography!
Dev chart
Film | ISO | Time | Dilution and temperature |
Kodak T-Max 400 | 400 | 6'00'' | 1+25 @20° |
400 | 12'00'' | 1+50 @20° | |
Kodak T-Max 100 | 100 | 5'30'' | 1+25 @19° |
100 | 12'00" | 1+50 @20° | |
Kodak Tri-X | 400 | 7'00" | 1+25 @20° |
400 | 13'00" | 1+50 @20° | |
Ilford HP5 | 400 | 6'00" | 1+25 @20° |
Ilford FP4 Plus | 125 | 9'00" | 1+25 @20° |
125 | 15'00" | 1+50 @20° | |
Ilford Delta 100 | 100 | 9'00" | 1+25 @20° |
100 | 14'00" | 1+50 @20° | |
Ilford Delta 400 | 400 | 9'00" | 1+25 @20° |
400 | 20'00" | 1+50 @20° | |
Ilford Delta 3200 | 3200 | 11'00" | 1+25 @20° |
Ilford Pan F 50 | 50 | 6'00'' | 1+25 @20° |
50 | †12'00'' | 1+50 @20° | |
Fuji Acros 100 | 100 | 6'50" | 1+25 @20° |
100 | 8'00" | 1+50 @20° | |
Rollei RPX 100 | 100 | 9'00" | 1+25 @20° |
100 | 18'00" | 1+50 @20° | |
Rollei RPX 400 | 400 | 12'00" | 1+25 @20° |
400 | 21'00" | 1+50 @20° | |
Rollei RPX 25 | 25 | 6'00" | 1+25 @20° |
25 | 11'00" | 1+50 @20° | |
Rollei Retro 400S | 400 | 10'50" | 1+25 @20° |
400 | 22'00" | 1+50 @20° | |
Rollei Superpan 200 | 200 | 8'00" | 1+25 @20° |
200 | 17'00" | 1+50 @20° | |
Rollei Retro 80S | 80 | 14'00" | 1+50 @20° |
Rollei Ortho 25S | 25 | 4'00" | 1+25 @20° |
50 | 6'00" | 1+25 @20° | |
Rollei Infrared | 400 | 7'30" | 1+25 @20° |
400 | 12'00" | 1+50 @20° | |
Kentmere 100 | 100 | 9'00" | 1+25 @20° |
100 | 15'00"" | 1+50 @20° | |
Kentmere 400 | 400 | 7'30" | 1+25 @20° |
400 | 20'00" | 1+50 @20° | |
AgfaPhoto APX 100 | 100 | 5'30" | 1+25 @20° |
100 | 10'00" | 1+50 @20° | |
AgfaPhoto APX 400 | 400 | 11'30" | 1+25 @20° |
400 | 21'00" | 1+50 @20° | |
Bergger Pancro | 400 | 8'00" | 1+25 @20° |
400 | 22'00" | 1+50 @20° | |
Imago 320 | 320 | 10'00" | 1+25 @20° |
320 | 18'00" | 1+50 @20° |
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